The title phrase loosely translates into English as ‘every dream has its way,’ a graffiti etched on the side of a bridge near the project space documented in 2011. It became the foundation for this series which so far includes a small photobook (Poet Fool, 2016), some graphic prints (Signs No. 1 & 2, 2017) and this pop-up installation (2018). This also led to the video slideshow HEY (2018).
The approach to this version of the project was partially inspired by artists who often work with texts: from Jenny Holzer and Barbara Kruger with their relentless use of powerful language to penetrate public discourse and physical spaces; to the pioneering conceptual artist Lawrence Weiner who demonstrates the potential of texts as sculptural images, visual objects and raw materials unto itself.